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Reminiscing about the games of yesteryear

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We take a walk down memory lane and revisit a few long lost childhood games

Text Credit: Rochelle D’Souza    Photos: indiantraditionalgames.wordpress.com   

Every evening after school my mother and her siblings would run home, strip off their uniforms and rush to play. A different game was designated for very month and season. In the windy months they’d make kites; sticking china paper onto broomsticks with mashed rice that they’d steal from the kitchen. In the summer they’d collect their ‘annas’ (old unit of currency) to buy beautiful glass marbles, burrow shallow holes in the ground and played ‘kach’ in a shady patch behind the house. Some days they’d play ‘kuttiyumkolum’ on the beach, whacking sticks up into the air and whacking each other and in the damp months of monsoon, as the rains poured down outside and flooded the front yard, they would sit indoors with all the manjadikurus and cowrie shells they’d picked up on the beach and play ‘chogi’ and ‘pallankuzhi’.

During the summer vacations, while I would be lazing around all day watching TV and skulking around the house, my mother would tell me of all these stories from her childhood and of all the times she and her 12 siblings spent outdoors, soaking up the sun and playing all sorts of games. Celebrating all things nostalgic this month, FWD Life decided to revisit the games our parents indulged in during their childhood, games that today’s millennial probably hasn’t even heard of, one’s that they ought to put down their cellphones and ipads and go out and play.

Kuttiyumkolum

Kuttiyumkolum (2)

A circle is drawn in the grown and a small stick – the kutti – is placed within. The idea of the game is that a denner (first player) uses a koll – stick – to lift the kutti off the ground and strike it out of the circle into the distance surrounding it. If any of the children (players) manage to tap or hit the kutti, the player who took the first strike from the circle will be out. If the peg hits the ground, then the players next to it has the chance of hitting it towards the circle. If it falls into the circle, then the denner is out. If not, the denner has another chance with the stick and the kutti within the circle. It is believed that this game originated over 2500 years ago.

Pallankuzhi

Pallankuzhi

Though it initially originated in Tamil Nadu, the Pallanguzhi game was widely popular in Kerala as well. It was designed centuries ago to help improve hand-eye coordination and to learn to count. Pallanguzhi requires a wooden board with 14 holes, two rows with 7 holes each. This makes 14 cups in the board. The game needs two players and cowrie shells, pebbles or manjadikuru seeds – used as tokens. The rules pertain a certain number of shells, and each player distributes the shells in each hole/cup. The rules of the game are mainly based on the capture of tokens by the winning player. The player, while putting in his/her tokens shouldn’t have an empty hole after the tokens are over. If he/she gets an empty hole, then the rival player captures the tokens.

Seven Tiles

Seven Tiles (1)

Seven Stones is a game infused with the true culture and charm of Kerala. Seven stones or broken pieces of tile are one over the other and the idea behind the game is to knock down the entire stack. Each player has three chances to hit the stack, and if unsuccessful, has to hand over the ball to the next player.

Kach (Goli)

Goli (2)

Kach is a game played with marbles. Shallow holes are created in the ground and players use their marbles and they have to hit a selected target using the marbles. The winner of the game gets all the marbles for himself.

Gutte

Gotte (2)

This traditional game is played by both children and adults. This simple game requires 5 pieces of small stones/cowrie shells. Players throw one of the stones/shells in the air and pick other stones/shalles from the ground before catching the one they threw in mid-air. The idea is not do it without dropping the one in the air.

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Art

Navratri 2024: Celebrating the Nine Colours and Their Significance

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Navratri, the festival that spans nine nights, is one of the most auspicious and widely celebrated festivals in India. Dedicated to the worship of Goddess Durga in her nine forms, each day of Navratri holds special significance, marked by a distinct color that carries deep spiritual and cultural meaning. As we prepare for Navratri 2024, let’s explore the nine colors associated with each day, their significance, and how they inspire devotion, positivity, and harmony.

Day 1: Yellow

On Thursday, embrace the uplifting energy of yellow as you celebrate Navratri with optimism and joy. This warm and cheerful color symbolizes happiness and radiates positivity, keeping you in high spirits throughout the day.

Day 2: Green

On Friday, wear green, a color that represents nature, growth, and harmony. It evokes a sense of peace and serenity, while also symbolizing new beginnings. Let the vibrant energy of green invite tranquility and the blessings of the Goddess into your life.

Day 3: Grey

Saturday calls for the subtle sophistication of grey. This balanced color keeps you grounded and calm, symbolizing composure and understated elegance. It’s perfect for those who want to participate in Navratri with grace while making a refined style statement.

Day 4: Orange

On Sunday, adorn yourself in the vibrant hue of orange. This color embodies warmth, exuberance, and positivity. Wearing orange during Navratri invokes an upbeat energy, bringing vitality and a lively spirit to your celebrations.

Day 5: White

Start your Monday with the purity and serenity of white. Associated with innocence and spiritual clarity, this color invites inner peace and helps you connect with the divine blessings of the Goddess, offering a sense of security and calm.

Day 6: Red

On Tuesday, red takes center stage, symbolizing passion, love, and strength. As one of the most auspicious colors, red is often offered to the Goddess in the form of a Chunri. Wearing red fills you with energy, vigor, and the vibrant spirit of Navratri.

Day 7: Royal Blue

Wednesday’s color is royal blue, representing elegance, richness, and tranquility. This deep, vivid shade of blue exudes confidence and sophistication, making it an ideal choice for those who want to celebrate Navratri with style and grace.

Day 8: Pink

On Thursday, don the charming hue of pink, a symbol of universal love, affection, and harmony. Pink is a color that adds a soft touch of warmth and approachability, making it perfect for creating a loving and joyful atmosphere during the festivities.

Day 9: Purple

On the final day of Navratri, purple takes the spotlight. Associated with luxury, nobility, and grandeur, purple invites opulence into your life. Wearing this regal color while worshipping Navdurga bestows blessings of prosperity and richness, making it the perfect way to end your Navratri celebrations.

 

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Luxury

Cartier’s New High Jewellery Collection is a Love For The Wild

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In 2021, the American Museum of Natural History in New York presented Beautiful Creatures, an exhibition showcasing some of the most eccentric jewellery designs of the past century. One standout piece was the iconic crocodile necklace of Mexican actress María Félix, a loyal Cartier patron. Félix, renowned for her bold sense of style, famously strolled into Cartier’s Paris store in 1975 with her pet crocodile, requesting a necklace in its likeness. Cartier delivered, crafting two intertwined crocodiles encrusted with over a thousand emeralds and yellow diamonds. For Félix, crocodiles symbolized freedom, an embodiment of the spirit she associated with Mexico’s Golden Age of cinema.

Fast forward to today, and Félix’s wildest dreams seem to have come to life at Cartier’s latest high jewellery collection, Nature Sauvage, previewed at the historic Kursalon Hübner gallery in Vienna. Among the star pieces is the Koaga necklace, a masterful creation where a zebra clasps an emerald-cut diamond and a 6.25-carat pear-shaped rubellite in its mouth. The zebra’s form is exquisitely rendered in alternating onyx stripes and pavé diamonds, making the creature feel almost lifelike.

The relationship between animals and jewellery has deep mythological roots, often glorified through rituals and symbolism. In ancient Egypt, scarab beetles were worn as earrings to signify respect for life’s cyclical nature. Meanwhile, in Hellenistic Greece, gods and goddesses took on the forms of winged creatures in adornment. So, what is it about animal-themed jewellery that continues to captivate us? According to Amanda Triossi, a jewellery historian based in Rome, the allure lies in our primal instincts: “Wearing wild animals like panthers or tigers gives one the sense of having conquered them. It’s empowering, as if you inherit the animal’s strength and attributes.”

Cartier captures this essence beautifully in its Amphista necklace. Featuring two intertwined snakes with diamond scales set with emeralds, their heads adorned with kite-shaped diamonds, the necklace echoes ancient Chinese philosophy’s yin-yang balance. The pièce de résistance? Nine octagonal Colombian emeralds, weighing a total of 14.72 carats.

Triossi also notes that many historical heroes are often depicted draped in the skins of animals they’ve vanquished, a symbol of triumph. Today, jewellery transforms that symbol into something precious and eternal—animal skins reimagined in imperishable materials.

Later that evening, at a celebration held at Vienna’s Kunsthistorisches Museum, the largest in Austria, the enchantment of Cartier’s collection was heightened. The museum’s octagonal domes featured paintings of animals dancing with angels, setting the stage for a magical night. Guests were greeted by masterpieces such as Rembrandt’s Self-Portrait and Caravaggio’s Madonna of the Rosary, alongside Cartier page boys in their signature red hats. The evening’s soundtrack, a seamless blend of Bach and Kygo, was curated by DJ Gillian Sagansky, lending a modern twist to the classical ambiance.

The following day brought another cultural adventure—a visit to Otto Wagner’s Villa, a stunning summer palace designed by the famed architect. The paintings adorning the villa’s walls depicted animals in various forms—some caught in purgatory, others wandering the biblical bardo, with alligators restlessly emerging from swampy landscapes.

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Luxury

Indian Craftsmanship Meets Italian Savoir Faire : Rahul Mishra x Tod’s

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Quiet luxury was expected to dominate for a while, with many predicting that the return of bold, extravagant fashion would take its time. However, maximalism seems to be making a swift comeback, especially in the realm of designer collaborations. Hot on the heels of the vibrant, print-heavy H&M x Anamika Khanna collection, another limited-edition line has arrived, celebrating opulent luxury: Rahul Mishra x Tod’s.

As part of Tod’s T-Factory project, which features exclusive collaborations with creative innovators, this marks Indian couturier Rahul Mishra’s debut in the international accessories space.

Mishra is a true ambassador of Indian design. Along with his wife Divya Mishra, he leads his eponymous label, which has brought the essence of India to the global stage in remarkable ways. A regular at Paris Fashion Week and the first Indian designer to showcase at Paris Haute Couture Week, his creations have adorned celebrities like Zendaya and Mark Zuckerberg, and have graced magazine covers in South Korea, China, and Europe. With such a path-defining legacy, it’s no surprise that Mishra and his visionary label were Tod’s natural choice for their first-ever Indian collaboration.

Mishra describes this collaboration as a beautiful fusion of “Italian craftsmanship serving as the canvas for Indian vision.” Tod’s iconic Gommino loafers and mules, along with the Di Bag and T Timeless shoulder bag, have been reimagined with intricate resham embroidery, crystals, and sequins—all meticulously hand-embroidered at Mishra’s atelier in Noida. “It was a technically challenging process that took time to perfect. I can confidently say these are some of the finest bags and shoes you’ll ever witness, in terms of craftsmanship and longevity. Such pieces are forever,” Mishra proudly shares.

Crafted entirely between India and Italy, the limited-edition pieces from this collection are a true love letter to the artisanal heritage of both nations. “There’s a beauty in the teamwork here,” Mishra explains. “We received raw materials from Italy and worked on integrating our embroideries seamlessly into their leather. The pieces were then sent back to Tod’s, where they transformed them into stunning, three-dimensional products. In that sense, it’s been a genuine collaboration between Italy and India.”

Mishra firmly believes that the future of global design will be shaped by a global Indian aesthetic. “Just as French, Italian, British, and Japanese designs are now seen as universal,” he explains. This collaboration marks a significant step in advancing that narrative. “When you push the boundaries of ‘handmade in India’ to be respected at the pinnacle of luxury, everything else will naturally follow,” he emphasizes.

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