Conversation
RELIVING UNTOLD TALES
Rajiv Balakrishnan’s ‘Death Seeking Immortal’ is a book talking about the darker of a history we are partially oblivious to.
Words by Sangeeta Bhattacharya Photographs by Aghil Menon
There are always two sides to every story or sometimes way more. One that we grow up listening to and the rest are those what we conceive of it, as adults. Mahabharata has always been about the protagonists Pandavas, growing up I have only heard the glorious side of them in the epic fiction of great Sage Vyasa. And since mythology has been a lesser interest further inquisition rested futile, till the Sunday evening when I attended Rajiv’s ‘Death Seeking Immortal’ book release at Ledhi art café in Kochi.
I caught up with the author right before the launch, for a short interview to understand the inspiration behind him being a story-teller and why he chose the character of Ashwathama as the protagonist for his first book, who has been seldom mentioned in the main story of Mahabharata. Rajiv Balakrishnan’s first inspiration was his father who was a renowned writer. His second inspiration came in 2010, when a senior from Loyola College, impressed by his narrative skills encouraged Rajiv to start writing. His first book is a short story collection called ‘Grains of Sand’ which will be released shortly but ‘Death of Immortal’ is his first serious novel. An observant man who is fascinated with the multi-faceted, unique characters of human beings and their behavior, Rajiv believes that people are not only black or white but has various shades of personality. With his strong hold over mythology and absolutely smitten by the characters created by Vyasa, he states that the great epic was written for us to debate on what our personal understanding of Mahabharata is. And since taking up challenges is what gets him going, he wanted to write a completely different perspective to the story that has already been told and retold a million times. A reprise from Ashwathama’s point of view seemed to be the most exciting.
As I finished reading ‘Death Seeking Immortal’ after a week, I recalled Rajiv telling me about how his readers praised him on the book being unputdownable, which indeed is. The sheer 6 months of research that has gone behind the book is commendable. The book is entirely from the point of view of Ashwathama who was exiled and cursed with immortality by Lord Krishna. The story starts from the middle of the great Kurukshetra war, the day Dharma Putra Yudhisthir lied about the death of Ashwathama the person and not the elephant to their Guru Dronacharya. Frenzied by anger and sorrow of his father’s demise, Ashwathama saw only death of the Pandavas as a revenge. As one reads through, the characters of Pandavas and Kauravas are seen in complete new light, the stark difference between good and the bad dissipates. Even the role of Krishna is questioned, which has never been done earlier. In the Interview with Rajiv, I remember him specially mentioning about how he was asked by few critiques with regard to how Lord Krishna could be shown in an unfavourable light. To which he had calmly replied, “Probably you have put Lord Krishna on a pedestal and you worship him as an external force but I have placed him inside me. I tend to look at myself objectively, and it is very different. In the book, Ashwathama did not see god in Krishna, he saw him like any other person.”
About the Author
Strategic Communication is the forte of Chennai based Rajeev Balakrishnan who stays with his wife Madhu, an artist by profession and his equally talented two daughters, Sarvathmika and Sathvika.
Conversation
Netflix’s Cleopatra: A Controversial Provocation Egypt Could Do Without
In the realm of streaming content, Netflix’s Cleopatra has recently grabbed attention, trending on most-watched charts amidst a contrived controversy over the casting of a Black actress in the iconic titular role. Produced by Jada Pinkett-Smith, this installment is the second in her ‘African Queens’ series, which has stirred debates surrounding representation and historical accuracy. However, the current state of Egypt, grappling with numerous challenges, suggests that this provocative series is the last thing the nation needs.
The portrayal of Cleopatra has always been intertwined with fascination and debate, particularly centered around her appearance rather than her race, in historical accounts. The Hollywood industry, historically dominated by white executives, had marginalized Black talent, deeming them unmarketable and unworthy of significant roles. The industry’s limited embrace of Black stories in the past was primarily driven by profit rather than genuine progressivism.
In the case of Netflix’s Queen Cleopatra, the casting of a Black performer in the lead role was destined to ignite controversy, especially among Egyptians increasingly hostile towards Afrocentrism. However, the preceding installment of the ‘African Queens’ series, Njinga, did not generate significant interest or impact, lacking the depth to stimulate intellectual discourse.
Director Tina Gharavi’s previous works, while sincere in their storytelling, did not display visionary filmmaking challenging the conventional Anglophone documentary style. Despite this, Netflix and Pinkett-Smith effectively employed marketing tactics, leveraging the race card to generate buzz around Cleopatra, ultimately leading to its elevated position in the charts.
Disappointingly, Queen Cleopatra fails to offer any fresh insights into the Egyptian icon. The four episodes follow a predictable and formulaic narrative structure, focusing on Cleopatra’s rise and fall without delving into her race. The series, featuring medium close-up interviews with academics predominantly from American and British institutions, coupled with lackluster dramatizations, fails to engage viewers or provide an aesthetically distinct perspective.
The show’s emphasis on Cleopatra’s physical beauty and sensationalized elements aligns with Netflix’s faux-liberal gender and sexual politics, which are often presented simplistically and lacking depth. While the representation of minority groups in film and TV is an important concern, solely focusing on representation can overshadow other vital aspects, such as artistry, film history, and the political use of aesthetics.
Critics and viewers fixated on the racial depiction of Cleopatra, generating substantial media coverage and overlooking the artistic value and storytelling approaches employed in the series. Amidst the heightened racial discourse, the nuances of Egypt’s complex relationship with blackness have been lost. Egypt’s struggle with economic crises, political challenges, and external influences leaves the nation feeling helpless and disheartened.
In its current state of turmoil, Egypt seeks a savior and is grappling with collective defeat, making the Netflix provocation an unwelcome addition. The nation, deprived of agency and self-determination, holds onto its historical heritage, which has been plundered by the West for centuries. In such circumstances, a reframing of their own history, even in the form of a fictional series, elicits a strong reaction from a nation grappling with numerous challenges.
Ultimately, while the casting controversy surrounding Netflix’s Cleopatra has sparked discussions on representation and historical accuracy, Egypt’s broken state and desperate need for stability and self-determination make this provocative series an unnecessary and untimely distraction.
Conversation
Unleashing the Power: Scorpio Lunar Eclipse on May 5th Signals Major Transformation Ahead
The cosmos are gearing up for a powerful event: the May 5th lunar eclipse in Scorpio. This celestial spectacle promises to be a transformative experience that will shake us to the core. As the full moon aligns with the sun and the Earth casts its shadow, Scorpio’s dark and intense energy will be unleashed, inviting us to confront our deepest fears and desires.
Scorpio, known for its enigmatic nature and passionate intensity, is the zodiac’s most enigmatic and mysterious sign. It’s associated with death, rebirth, and transformation, making this lunar eclipse an auspicious time for letting go of old patterns and embracing a new, more authentic way of being. The Scorpio energy is all about digging deep into the shadows, exploring our subconscious minds, and facing the truth no matter how uncomfortable it may be.
During this lunar eclipse, we can expect intense emotions to surface, bringing to light buried feelings and hidden desires. Scorpio’s energy is not one to shy away from the taboo or the uncomfortable, and neither should we. It’s time to confront the parts of ourselves that we’ve been keeping hidden, and to embrace our true selves.
As we navigate this intense energy, it’s important to remember to practice self-care and self-love. Scorpio’s energy can be overwhelming, so be sure to take breaks and ground yourself when needed. The lunar eclipse is an opportunity for growth and transformation, but it’s up to us to take the necessary steps to harness this energy and make the most of this powerful celestial event.
In conclusion, the May 5th lunar eclipse in Scorpio is a powerful and transformative event that promises to shake us to our core. It’s an opportunity to face our fears, embrace our desires, and transform ourselves from the inside out. So, get ready to unleash your inner Scorpio and embrace the intensity of this celestial event.
Art
8 Best Podcasts of 2020
To the people who doesn’t know what a podcast is- it’s pretty much like a radio show and is released in a streamable or downloadable format through various sites. You can access to millions of podcasts in many genres from anywhere you have internet access.
Here’s a list of podcasts for you to listen:
The Musafir Stories – India Travel Podcast
The Musafir Stories is a wonderful online podcast that talks about iconic and, in fact, all sorts of travel destinations. The podcast series is hosted by Saif Omar and Faiza Khan who talk to fellow travellers about their various adventures across India.
Available on iTunes, Google podcasts, JioSaavn, and Spotify.
https://themusafirstories.com/
Second Life
This online podcast is hosted by Hillary Kerr from the well-known fashion publication Who What Where and it chronicles the career changes of its many guests. It spotlights successful women who’ve made major career changes.
You can listen to her episodes on Apple podcast, Spotify, and Podbean.
https://www.secondlifepod.com/
In The Dark
In The Dark’s content is about uncovering the world’s most iconic crime cases. In short, it’s an investigative journalism podcast, hosted and narrated by Madeleine Baran.
You can listen to it on Apple Podcast, Stitcher, and Podbean.
https://www.stitcher.com/podcast/american-public-media/in-the-dark-apm
The Passion People Podcast
The Passion People Podcast is a series of conversations about following a passion and how to manifest it. There are several conversations with experts, entrepreneurs, and icons that inspire the listeners, and the show is hosted by Naga Subramanya.
You can find the podcast on Stitcher, Apple Podcast, and JioSaavn.
https://www.stitcher.com/podcast/naga-subramanya-b-b/the-passion-people-podcast
GayBCD
GayBCD is an online podcast that seeks to understand what it means to be queer in today’s time. It’s hosted by Sunetro Lahiri and Farhad Karkaria and is created by IVM Podcasts. You can expect to find funny and comforting discussions about coming out and how a sense of humour, wisdom, and parlance play such an important role in understanding yourself better as a person.
This podcast series is easily available on YouTube, Stitcher, JioSaavn, and Apple Podcast.
https://www.stitcher.com/podcast/indus-vox/gaybcd
Harry Potter at Home
Harry Potter At Home is a new series by the Wizarding World that has famous names from entertainment, music, and sports reading chapters from Harry Potter And The Philosopher’s Stone, and the magic is still alive. They currently have the first two chapters out – the first by Daniel Radcliffe and the second by Noma Dumezweni.
You can listen to the series on Spotify and a video version is available on Wizarding World.
https://open.spotify.com/show/2JUljwaD9fNSeq8Vy3UAUp
Maed in India
Maed in India prides itself on being India’s first indie music podcast and features conversations with, well, independent musicians from India and abroad. From unreleased music to unknown music stories, they have it all. It’s great for discovering new music, too.
You can listen to this podcast on iTunes, Spotify, JioSaavn, Podbean, Google Podcasts, and Stitcher.
https://maedinindia.fanlink.to/podcast
The Corner Flag
Indian fans of the European and Worldwide football can rejoice in this chat show about sports with comedian Amogh Ranadive. If you like hearing commentary on the latest Premiere league (or other) antics with an Indian twist this might just be the Indian chat show for you.
You can listen to this podcast on Spotify
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