Comics
In Line with Her – a man’s view
We caught up with three artists to interpret the famous lines of Carol Ann’s Duffy poem, ‘Standing Female Nude’
Six hours like this for a few francs.Belly nipple arse in the window light, he drains the color from me. Further to the right, Madame. And do try to be still. I shall be represented analytically and hung in great museums. The bourgeoisie will coo at such an image of a river-whore. They call it Art.
Maybe. He is concerned with volume, space. I with the next meal. You’re getting thin, Madame, this is not good. My breasts hang slightly low, the studio is cold. In the tea-leaves I can see the Queen of England gazing on my shape. Magnificent, she murmurs, moving on. It makes me laugh. His name is Georges. They tell me he’s a genius. There are times he does not concentrate and stiffens for my warmth. He possesses me on canvas as he dips the brush repeatedly into the paint. Little man, you’ve not the money for the arts I sell. Both poor, we make our living how we can. I ask him Why do you do this? Because I have to. There’s no choice. Don’t talk. My smile confuses him. These artists take themselves too seriously. At night I fill myself with wine and dance around the bars. When it’s finished he shows me proudly, lights a cigarette. I say Twelve francs and get my shawl. It does not look like me.
– Carol Ann Duffy
Seldom does a feminist say that a woman has never been objectified. In this poem, Carol Ann Duffy brutally talks about the model’s objectification and the skewed alteration done on women to please society. Deeply entrenched in the verses of the monologue, you could see a lurking hatred of the identity that is portrayed but not a reflection of her true self. Though she was the subject of his painting she felt there was no reason for him to feel more superior or brandish his brush in the name of art. We asked three artists to give us their interpretation and tell us what they each see in this true-nude standing woman.
Madhav Nair
What lead you to illustration?
I joined an art and design school thinking I’ll do graphic design, but once I took a couple of illustration courses, I knew that is where I wanted to be.
What helps you shape and frame your illustration style?
I try not to think of it as style, but more as a personal voice. Style can be copied, it is the artist’s voice that makes the work original. The personal voice could be very basic, something as simple as the choices I make while picking out a subject to draw.
Do you feel as an artist you have to be synonymous with a consistent style or explore different paths in the journey of time?
I’ve never felt the need to stick to a visual style, it’s a lot more comfortable if you forgive yourself for being fickle with the way you see and draw things. A range of explorations is essential because not every ‘style’ works. I like work that shifts with the narration, a constant give-and-take medium and narration.
Is it harder capturing a larger story in a single illustration?
Not really. Depends on how well you can boil down the story into a single illustration to complement the story rather than mirror it.
If not for illustration what other medium would you consider to express your ideas?
Having done comics and illustration for the past couple of years, I don’t think I’ll ever need another medium after seeing what these things can do. Nevertheless, there’s a lot of narrative
possibilities in web-based toys, bots and ‘net art’, and I’m trying to figure out how I could bring comics and post-internet art together.
There is a certain school of thought that points out a distinct difference in which a man views women in contrast to how a woman views women. What is your view?
I think that is very subjective, but on the other hand I believe there should be no place for any kind of bias in an informed democracy.
Females in Focus ( We asked the artist to share three strong female protagonists in the literature they have enjoyed)
Jasjyot Singh
What lead you to illustration?
I can’t remember a time when I wasn’t drawing. My love for creating new characters and sharing them with people everywhere is what lead me to illustration.
What helps you shape and frame your illustration style?
I think it has a lot to do with early influences, and the cultural visual vocabulary that’s part of one’s childhood. For me, specific mediums caused me to draw things a certain way. Some of these
things lingered, and became part of how I draw things. When I used a micro tip, I drew faces in a particular fashion. I almost never use that pen to draw anymore. But even if I use another medium, it all just blends in to form an illustration style.
Do you feel as an artist you have to be synonymous with a consistent style or explore different paths over time?
I have developed different styles over time in my practice as an illustrator. It depends on the nature of the project, so it is good to be flexible with style.
My personal work follows a style that may not work for every commercial project. I get to draw so many different things and work with tons of people from varied professional backgrounds; I find
that invigorating about illustration as a profession.
Is it harder capturing a larger story in a single illustration?
It can be challenging, but it’s definitely not impossible. It is important to get to the heart of the story and find a moment that resonates most clearly. And that usually works as the most effective storytelling device.
The way a women views a man differs from a man’s view of a woman?
For me, it comes down to people who are sensitive about issues of gender, sexuality, and body. That is at the core of people’s outlook towards issues that pertain to women or men. It could be
anyone. I would love to live in a world where that sense of freedom of being who you want to be, and doing what you want to do, isn’t a privilege.
Females in Focus ( We asked the artist to share three strong female protagonists in the literature they have enjoyed)
Vishnu M Nair
What lead you to illustration?
Drawing, painting and sketching were always my interest; as well as storytelling. It was only natural that both of these would manifest themselves later in my life as ‘illustration’.
First impression when you read the poem.
The poem echoes raw vibes similar to hip-hop – a ranting monologue fuelled by emotion. An evidently strong and unapologetic woman figure, painting a vivid picture of her times and circumstances.
What helps you shape and frame your illustration style?
The model offers perspectives – both her own and that of the artist.This contrast and the strong imagery created within the poem demand their own representation.
Do you feel as an artist you have to be consistent with a style or explore different paths over time?
Style, for me, depends on context. The context could be a poem (like in this instance) or, just bad weather. That being said, I also consciously try to do something differently at every avenue I get.
Is it hard capturing a larger story in a single illustration?
It is hard – but it is more fun also. It demands greater reflection. And in scenarios where the outcome is subjective, it makes you question the perspectives you take as well – which is always interesting.
If not for illustration, which other medium would you use to express your ideas?
I would love to try motion pictures.
There is a certain school of thought that points out a distinct difference in which a man views women in contrast to how a woman views women. What is your view?
You can’t necessarily generalise viewpoints – it all depends on, yet again, context.
How a man views a woman or a woman views a woman depends on their own circumstances – their experiences, upbringing and in many cases, intuition.
Females in Focus ( We asked the artist to share three strong female protagonists in the literature they have enjoyed)
Words by Atheena Wilson Illustrations by Jasjyot Singh, Madhav Nair, Vishnu M Nair
Compilation by Studio Kokachi
Comics
Moon Knight: The New Marvel Hero
What would happen if you had a dual personality leading a life, completely oblivious and on contrary to your own? And what if that person inside you made a deal with an Egyptian god in return for doing his deeds?
Well – that exactly is the all new Marvel Studios’ show Moon Knight all about. The show which is based on the original Marvel comic book of the same name is a story about the night vigilante who gained his powers because of the Egyptian moon god, Khonsu. The alter ego of this character is a little complicated, As in the show Moon Knight is made up of two characters, Steven with a V the museum gift shop salesman and the ruthless mercenary Marc Spector. But while we look into the comic book there is one more person named Jake Lockley in them as well. All three of them mixed up in a chaotic manner makes the character one of the most interesting of them all. The show has Oscar Issac in the role of Moon Knight while Ethan Hawke plays the main antagonist.
Check into Disney+ Hotstar every Wednesday to watch Moon Knight
Words By: Goutham Satheesh
Comics
Batman: The Riddler Journey Continues
The biggest blockbuster that was released in the early stages of 2022 can be given credit to the all new Matt Reeves’ The Batman. The movie which takes up an account on the dark and neo-noir detective side of the character presenting Robert Pattinson as the young version of Bruce Wayne/Batman in his youth age of crime fighting. Though the movie has left a deep impact on the minds of movie watchers and comic book geeks likewise, due credit is to be given to the man who gave forth a performance which is likely to go down in history as one of the greatest endeavors you’ll ever see.
Edward Nashton/The Riddler played by Paul Dano has left the viewers in splits. The character has been only portrayed once in the cinematic live version of the Batman universe previously by Jim Carrey in the rather forgettable 90s movie, Batman Forever. Paul Dano has convinced us that he can pull off such an interesting character with a heavy tone making it thrilling and at some points horrific as well. But the journey for Paul Dano with The Riddler does not come to an end, As revealed by the director himself on twitter, A Riddler: Year One comic is in the making and is being penned by Dano himself. The comic book will be a bimonthly six-issue comic which will be launching in October 2022 delving into the dark mind of this iconic villain setting up the background which made him set upon to take the actions he did in the movie. This will provide a whole lot more information for the character, compensating for the 15 minute screen time he got in the almost 3 hour movie.
Words By: Goutham Satheesh
Comics
Marvel Releases ‘Shang-Chi and the Legend of the Ten Rings’ Teaser
The first trailer for Shang-Chi and the Legend of the Ten Rings debuts Marvel’s latest martial arts hero
Shang-Chi and the Legend of the Ten Rings has gotten its first trailer, showing off the high-flying martial arts action and a new hero for the interconnected universe of Marvel films and shows: Shang-Chi (Simu Liu), who’s known in the comics as Marvel’s preeminent master of martial arts.
The trailer serves as a short introduction to Shang-Chi as he faces off against the mysterious Ten Rings organization and its true leader, the Mandarin. The Ten Rings have been a figure lurking in the background for the entirety of the MCU, first introduced in 2008’s Iron Man (and notably spoofed by a copy-cat group in Iron Man 3), but Shang-Chi promises to reveal the actual group for the first time.
Shang-Chi and the Legend of the Ten Rings hits theaters on Sept. 3.
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