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Aashiq Abu Uncooked

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The mastermind behind this year’s biggest entertainer that comprised of a loudmouth, a missing-in-action beauty queen and two newbie’s, packaged as a food based movie, is an easy talker. Well, as long as you have the right questions. The cynics and onlookers alike watched open-mouthed, a locomotive called Salt N’ Pepper appeared from nowhere and sped its course through a film landscape that was reeking with flops. This movie too is the product of the new breed of movie professionals who are bring about the much needed freshness to Malayalam movies.

During the 70’s Malayalam movie industry saw the advent of new wave cinema. Possibly inspired by this, a group of youngsters, customers of the now definitional Indian Coffee House near the University College in Trivandrum, later formed a cinema fraternity that contributed meaningful screenplays, powerful characters and innovative crafts to the Malayalee audience. Late 80’s and early 90’s saw the growth of superstars. Malayalam movies went into a limbo. This state of deterioration is offered some resistance by youngsters Vyshak , Amal Neerad, Anwar Rasheed, Sameer Thahir and Lijo Jose Pellissery to name a few, who are experimenting with thematic, narratives and casting. One of the major changes that have taken place is the collective effort and the times spend for pre-production work. Neither Auteur Theory (that director is the sole creator of the movie) nor the Schreiber Theory (that the scriptwriter is the creator) is any longer in practise. The Schreiber theory had relevance in Malayalam, only due to prominent directors writing their own scripts. With a growing audience who are exposed to all kinds of cinema, unoriginal works are being criticised from the time the movie is announced. New themes, new genres and new cinematic perspectives are needed to capture the evolving global Malayalee’s imagination.

It’s a hot and sultry day in Kochi; the midday day sun continues its course to the middle of the sky. At the movie workshop for 22 Female Kottayam, a suspense thriller in a private hideaway 20 km from Kochi, Aashiq Abu seems like a man in search for something. A stocky build, in t-shirt and shorts, he is totally at home walking around in rubber slippers. “Cigarettes” came a cry on seeing a pack, he picks one and lights up, sitting in front of the laptop playing songs from the Folk rock group Avial’s collection. Rest of the cast and crew is wandering about, almost sleep walking. Complains of hunger fills the air and the housekeepers scurry around to prepare lunch.

Now food is something really popular here, well for a team that did a love story around food, the conversation really got started. Aashiq was joined by Syam Pushkaran and Dileesh Nair the writers, Abhilash Kumar, Madhu Narayan, Pradeep Sukumaran- associate directors and Dileesh Pothan who is also an associate but had an acting role in Salt N’ Pepper.

Aashiq: “All of us love food, the same is true about an average Malayalee, yet we never had a food based movie. The idea for food came up much later in the pre-production time”
Syam: “The story thread was about two people in their forties meeting each other and falling in love, food became an angle because we thought that would be the best unifier for their unusual relationship”

Dileesh: “The moment the age factor came in, we knew it couldn’t be a normal love story. We wanted to keep it realistic as possible, like normal people they too had their own emotional baggage.”

Aashiq: “when they told me the story, I knew we had to go with unusual casting. Now everyone is talking about Babu Raj’s casting. That happened because we didn’t want to go with normal comedians. All of us sat around talking and Babu Raj’s name came up, and somehow all of us were sure that it would work out.”

Madhu: “ Ya ya, we all liked the idea, even with the casting of Lal and Shweta (Menon), it was clear that someone who acted their age was needed and of course a good voice that would sound good over telephone was needed.”

Abhilash: “The Upadeshi, K.T. Mirash character was developed after seeing a friend walk around in pyjamas …. (breaks out in laughter) everybody has come across characters like that, he is everything Manu (Aasif Ali) is not and vice versa, they somehow balance each other.”

By now lunch is served, and everybody rambles over to the table and starts piling on food. Dileesh Pothan is the obvious butt of the joke for the grit of his paunch. Finally everybody settles down to eat.

Pradeep : The food song for title was planned over 5 days. We called up people in all the districts in Kerala, they came up with suggestions and we travelled 2 days North of Kerala , two days South and of course a day in Kochi.

Aashiq: Even though all of us are very familiar with Kochi, we didn’t want to set the story in Kochi.

Syam : (Interrupting) For an Archaeologist, Trivandrum is a much better and in any case there is too much of Kochi in Malayalam movies these days…

Pradeep: … there are voice labs and better streets. (Smiling) we really liked the house in Trivandrum. Every article in the scenes and the idea to have the Mooppan through was pre planned, but then the story of the rainbow cake was really researched.

A car pulls up at the other gate and three men walk through, a loud cheer greets them. Shyju Khalid the cinematographer who did both Traffic and Salt N’ Pepper, Sajan V the editor and Dan Jose the Sound guy walks in and starts chiding Aashiq about his new projects.

Shyju : Did this guy tell you about the food song? Oh that was a big deal for me. 5 days up and down and I didn’t want to shoot food like a product rather something all of us are very familiar with. Just like a normal person’s perspective when entering an eating place, oh that was fun!

Sajan : Forget the food, seeing the rushes of Avial promo song literally stunned me. Until then I thought keeping the climax in balance would be the toughest part. Hardly 30 percent of the whole footage was used for the film. The same was the case with the food song; we had a lot of footage which we didn’t use, Aashiq had a plan to bring out an album based on the all the unused footage. Oh the intertextual stuff in both the movies was fun, Mamooka playing himself from Azhakiya Ravanan in Daddy Cool and Shweta in Salt N’ Pepper dubbing for Richa Pallod in Daddy Cool. There is even a director in the studio like Aashiq.

Aashiq : Well there was lots of criticism for using a non Malayalee actress as the lead for the role in Daddy Cool. So we wanted to show what the situation really is. Dubbing is always a problem. Shweta was the only Malayalam speaking actor who fitted the role and she did a wonderful job.
Initially we were not sure how people would take this after the Rathinirvedam role; it’s totally Shweta’s credit that people accepted the role.

When asked about the gay undertones in Lal’s and Babu Raj’s relationship
Syam (with a grin): That was the chemistry between the two; the idea was to have a cook who somehow compensates for the woman of the house….

Dileesh: There are no comic scenes written only situational comedies, when we were doing character sketches, it was definite that a brahmachari (A hanuman devotee) would be the right person for the role. Their relationship is similar to that of any two individuals who are sharing living spaces together for a long while.

Dan : The ‘sounds’ for the scene in which the prospective bride looks from the balcony, when the cook leaving the house with her potential suitor, was given a tragic-comic turn as demanded by the situation.

The energy levels are certainly rising within the group; a few have broken away and are jamming around with a guitar and make-shift drum (former lunch plates). A few others are preparing to jump into the pool. Their day just seems to be starting, night long discussions, arguments, fights and what not! The collective enthusiasm is clearly evident within the group, yet there is no distinction between work and play mood, even during the day long interactions it’s clear that bouncing ideas to and fro keep them on their toes. Who knows somewhere down the line, new genres hitherto unexplored in Malayalam cinema, might emanate from the new breed. Viewer expectations are high, so are the chances of rejection. There is still no concrete sign to call the new age directors, producers and professionals a new movement or wave, but then Malayalees all over the world are waiting for a new kind of movie sensibility.

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What is the Vantara Project ?

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Reliance Industries and the Reliance Foundation introduced the “Vantara” programme (also known as the “Star of the Forest” programme) on February 26, 2024. Its main focus will be on the treatment, care, rescue, and rehabilitation of hurt, abused, threatened, or vulnerable animals in India and beyond. Anant Ambani, a director on the boards of both the Reliance Foundation and RIL, is the creator of the programme. 

Vantara (Star of the Forest) was founded on a deep philosophy that blends the accuracy of contemporary science and technology with the ancient Indian attitude of compassion, or “seva.” It is an expression of the moral duty to protect all living things, motivated by deeply ingrained Hindu traditions that maintain that serving animals is equivalent to serving the divine.

Vantara has demonstrated its dedication by organizing the rescue and rehabilitation of more than 200 elephants and numerous other animals from dangerous situations, offering these animals a safe habitat. The initiative extends beyond the act of rescue. It also includes putting key species like crocodiles, leopards, and rhinos through rehabilitation programmes to ensure their survival and well-being.

Vantara’s cutting-edge veterinary hospital, a marvel of contemporary medical technology, is the beating heart of the company’s medical endeavors. With its six specialist surgical centers, endoscopic robotic surgery technologies, and MRI and CT scan machines, the hospital is the best place for animal healthcare. The clinic, which fits damaged animals with prosthesis and helps them recover their health, is at the vanguard of medical innovation.

“The zoological park will be opened to the public soon, allowing people to witness our efforts in wildlife conservation and the sophisticated care we provide,” Anant Ambani said in a statement regarding the hospital’s capabilities and Vantara’s future ambitions.

However, Vantara’s vision goes beyond its confines. Ambani unveiled a bold proposal to transform animal welfare in India. “With training, capacity building, and the improvement of animal care infrastructure, Vantara aims to partner with the Zoo Authority of India and other relevant government organizations to improve the quality of all the 150+ zoos in India,” he said. This project, which emphasizes the value of comprehensive care and animal welfare, is poised to establish a new benchmark for zoos across the country.

In addition to being a haven for wildlife, vantara symbolizes optimism in the struggle against environmental deterioration and our responsibility to protect the planet’s rare biodiversity. Vantara asks us all to participate in a story that celebrates life in all its forms as it gets ready to open to the public.

 

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Cover Story

Insta – Glam : Best Fashion from Aparna Thomas

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Instagram has developed into a busy runway in the fast-paced world of fashion, where influencers like Aparna Thomas showcase their own looks, creating trends and motivating millions of others. Aparna Thomas has enthralled audiences with her varied and imaginative ensembles thanks to her outstanding taste and passion for fashion. Let’s delve into some of her best fashion looks that have left a lasting impression on fashion enthusiasts around the globe.

Effortless Glamour

Aparna Thomas looks sophisticated and alluring in this beautiful rainbow saree by Fitting Room Couture, styled by talented Sabarinath. Her look as completed by jewels from Pure Allure

Shimmer Glam

How to add a touch of glamour to any occasion without sacrificing comfort or style, just add some Shimmer. Aparna looks gorgeous  in the stunning golden sequined flared dress by D’Roz for Christmas theme shoot.

Chic Style

Aparna looks casual chic with urban sophistication with her street style look in this green dress by Urbanic

Regal Beauty

Aparna is a natural at stealing the show; she looks magnificent in her exquisite blue saree that Sabarinath styled. The saree comes from Luxurion World. 

Mythical Magic

Aparna looks stunning in an embellished saree by T & M Signature thanks to her excellent sense of style. The blouse features soft and elegant hues with delicate foliate motifs and elaborate crisscross patterns. The MOD Signature jewels completed the entire look. 

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Cover Story

Explore the Hidden Gems: Must-Visit Places on Lakshadweep

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Lakshadweep, meaning “a hundred thousand islands” in Sanskrit, is a mesmerizing archipelago nestled in the Arabian Sea. With its pristine beaches, crystal-clear waters, and vibrant marine life, Lakshadweep is a paradise for travelers seeking serenity and natural beauty. Lakshadweep offers activities for all types of visitors, including nature lovers, water sports enthusiasts, and beach bums. These are the top  activities to do in Lakshadweep when visiting.

The only ways to get to Lakshadweep are by air or boat. There are frequent flights from Kochi and Bangalore to the single airport, which is located on Agatti Island. Another option is to travel by ferry from Kochi, which takes between 18 to 20 hours. To enter Lakshadweep, visitors must get a special permit, which can be obtained online or through the tourism department of Lakshadweep. When the weather is nice and sunny, from October to March is the ideal time to visit Lakshadweep. Since there aren’t many resorts or guesthouses in Lakshadweep, it’s crucial to reserve your lodging well in advance.

Agatti Island:

Agatti, the gateway to Lakshadweep, welcomes you with its breathtaking beauty. The island boasts stunning coral reefs, making it a haven for snorkelers and divers. Take a stroll along the shimmering white sands or indulge in water sports like kayaking and windsurfing. Don’t miss the opportunity to witness the spectacular sunset painting the sky in hues of orange and pink.

Minicoy Island:

Experience the rich cultural heritage of Lakshadweep on Minicoy Island. The island is renowned for its traditional Maldivian-influenced culture, evident in its architecture, cuisine, and customs. Explore the charming villages adorned with colorful houses and visit the iconic Lighthouse built by the British. Don’t miss the chance to savor authentic Maldivian cuisine and witness captivating cultural performances.

Kadmat Island:

For those craving solitude and tranquility, Kadmat Island is the perfect escape. This serene island is renowned for its untouched beaches fringed with swaying palms. Dive into the azure waters to explore the vibrant marine life teeming with colorful fish and coral formations. Relax under the shade of coconut trees and savor fresh seafood delicacies served by local vendors.

Amini Beach:

If you’re searching for quiet tourist destinations in Lakshadweep, Amini Beach is a great choice. This beach is well-known on Amini Island because of its coral sandstone surface. Adventure sports like as snorkelling, scuba diving, reef walking, and kayaking are available for you to try. Amini Beach is a great place to unwind and spend the day drinking cocktails and soaking up the sun.

Bangaram Island:

Dubbed as the jewel of Lakshadweep, Bangaram Island is a postcard-perfect destination. With its powdery white sands and emerald lagoons, it’s a paradise for beach lovers. Spend your days basking in the sun, snorkeling amidst the coral gardens, or simply unwinding in a hammock under the shade of a palm tree. Indulge in a romantic beach picnic as you watch the stars illuminate the night sky.

Lakshadweep beckons travelers with its pristine beauty, diverse marine life, and warm hospitality. Whether you’re seeking adventure, relaxation, or cultural immersion, the islands offer a myriad of experiences to cherish. Explore these must-visit places on Lakshadweep and create memories that will last a lifetime.

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