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Getting In Touch With The Brain Behind The Theatrical Adaptation Of The Novel Khasakkinte Ithihasam

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FWD Life Getting In Touch With The Brain Behind The Theatrical Adaptation Of The Novel Khasakkinte Ithihasam (1)

World renowned theatre director Deepan Sivaraman on contemporary Indian theatre and his latest play Khasakkinte Ithihasam

Words: Fathima AbdulKader   Images: Yukthiraj Kadalundi

Khasakkinte Ithihasam was a groundbreaking novel for its time and has managed to remain relevant ever since. O.V Vjayan’s magnum opus initiated conversations on illicit relationships, religion, myths and stories. Its unique narrative made the story bigger than the protagonist; it was a philosophical and spiritual examination of the people of the hamlet of Khasakk and of society in general. Adapting the classic work for the stage and keeping it faithful to Vijayan’s vision was not an easy feat for theatre veteran Deepan Sivaraman. But with two decades of experience in the national and international drama field, he envisioned a play that brought Khasakk to life.

FWD Life Getting In Touch With The Brain Behind The Theatrical Adaptation Of The Novel Khasakkinte Ithihasam (2)

The opening act

Born and brought up in Kodakara in Thrissur, Deepan Sivaraman’ foray into drama began by participating in the small plays put up in the Grameena Samskarika Sankatana in his village. After studying at School of Drama in Thrissur, Deepan went on to do his Masters at Pondicherry University and then to Central Saint Martins to study Scenography. After his stint working as a professor at London School of Arts and Wimbledon College of Arts, Deepan returned to India and made a name for him in the national theatre scene. His works such as Ubu Roi, Peer Gynt and Spinal Cord received critical acclaim and won several awards.

FWD Life Getting In Touch With The Brain Behind The Theatrical Adaptation Of The Novel Khasakkinte Ithihasam (3)

When asked about the experience working in the national and international theatre industry, Deepan said that it is not easy to compare the Indian theatre situation to the international. He went on to say “during my studies I traveled to Eastern Europe for pursuing my love of drama. In those countries, the modern theater has been in existence for centuries, while there has only been a modern theatre in India in the last 100 years or so. Internationally there is an existing theatre industry where recent graduates can find employment. However in India, the situation has not reached a point where theatre artists can make it their sole profession to live off of. Any advancements that have happened, it is because of the efforts of people who are passionate about the field, be it actors, writers or directors regardless of money. Even after making a name for myself in the field, I still have a day job as an academician because of this reason.”

Staged directions

When Deepan Sivaraman took charge of adapting Khasakkinte Ithihasam for KMK Smaraka Kalasamrithi in Trikaripur, he had to ensure that the essence of the work is retained. Deepan focused on the village of Khasakk rather than the story of the protagonist Ravi and presented it in a multi-narrative style. He drew inspiration from the village of Trikaripur and from the folk form Theyyam to complete his vision for the play. His experience as a scenographer came into play when he created a visual spectacle for the set. The center of the set is made like a traditional Palakkadan Vazhivaramb and three sides are marked by elevated areas where other actions take place. Since its initial performance in 2015, the play Khasakkinte Ithihasam has gained critical and popular acclaim.

FWD Life Getting In Touch With The Brain Behind The Theatrical Adaptation Of The Novel Khasakkinte Ithihasam (1)

When talking about his contemporaries, Deepan Sivaraman is an admirer of the female directors in the theatre industry right now. According to him, the female directors such as Anamika Haksar, Anuradha Kapur, Neelam Mansingh Chowdary, Kirti Jain, Maya Krishna Rao are the reason for the existence of an Indian Avant Garde theatre in current times. With the need to prove more, the female directors in the field have been willing to take more risks and stray from the traditional. They create complex contemporary works that has helped further the modern Indian theatre.

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Navratri 2024: Celebrating the Nine Colours and Their Significance

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Navratri, the festival that spans nine nights, is one of the most auspicious and widely celebrated festivals in India. Dedicated to the worship of Goddess Durga in her nine forms, each day of Navratri holds special significance, marked by a distinct color that carries deep spiritual and cultural meaning. As we prepare for Navratri 2024, let’s explore the nine colors associated with each day, their significance, and how they inspire devotion, positivity, and harmony.

Day 1: Yellow

On Thursday, embrace the uplifting energy of yellow as you celebrate Navratri with optimism and joy. This warm and cheerful color symbolizes happiness and radiates positivity, keeping you in high spirits throughout the day.

Day 2: Green

On Friday, wear green, a color that represents nature, growth, and harmony. It evokes a sense of peace and serenity, while also symbolizing new beginnings. Let the vibrant energy of green invite tranquility and the blessings of the Goddess into your life.

Day 3: Grey

Saturday calls for the subtle sophistication of grey. This balanced color keeps you grounded and calm, symbolizing composure and understated elegance. It’s perfect for those who want to participate in Navratri with grace while making a refined style statement.

Day 4: Orange

On Sunday, adorn yourself in the vibrant hue of orange. This color embodies warmth, exuberance, and positivity. Wearing orange during Navratri invokes an upbeat energy, bringing vitality and a lively spirit to your celebrations.

Day 5: White

Start your Monday with the purity and serenity of white. Associated with innocence and spiritual clarity, this color invites inner peace and helps you connect with the divine blessings of the Goddess, offering a sense of security and calm.

Day 6: Red

On Tuesday, red takes center stage, symbolizing passion, love, and strength. As one of the most auspicious colors, red is often offered to the Goddess in the form of a Chunri. Wearing red fills you with energy, vigor, and the vibrant spirit of Navratri.

Day 7: Royal Blue

Wednesday’s color is royal blue, representing elegance, richness, and tranquility. This deep, vivid shade of blue exudes confidence and sophistication, making it an ideal choice for those who want to celebrate Navratri with style and grace.

Day 8: Pink

On Thursday, don the charming hue of pink, a symbol of universal love, affection, and harmony. Pink is a color that adds a soft touch of warmth and approachability, making it perfect for creating a loving and joyful atmosphere during the festivities.

Day 9: Purple

On the final day of Navratri, purple takes the spotlight. Associated with luxury, nobility, and grandeur, purple invites opulence into your life. Wearing this regal color while worshipping Navdurga bestows blessings of prosperity and richness, making it the perfect way to end your Navratri celebrations.

 

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Exploring the Rich Tapestry of Indian Art: A Journey Through State-Wise Traditional Paintings

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India’s artistic heritage is a vibrant mosaic, reflecting the diverse cultural traditions of its states. Each region has its unique style of painting, with techniques and themes passed down through generations. Let’s delve into some of the most iconic traditional paintings from different states of India.

1. Madhubani Painting (Bihar)

Originating from the Mithila region of Bihar, Madhubani painting is known for its intricate patterns, bold colors, and themes inspired by nature, mythology, and folk tales. Traditionally, these paintings were done on mud walls, but now they are also created on cloth, handmade paper, and canvas.

Distinctive Features: Use of natural dyes, double outlines, geometrical patterns, and motifs like flowers, animals, and deities.

2. Pattachitra (Odisha and West Bengal)

umaid art

Pattachitra, meaning ‘cloth painting,’ is an ancient art form from Odisha and West Bengal. These paintings depict mythological narratives, especially around Lord Jagannath, and are characterized by their intricate details and mythological themes.

Distinctive Features: Fine detailing, elaborate borders, vibrant use of colors, and the use of natural ingredients for dyes.

3. Warli Art (Maharashtra)

Warli art is a form of tribal painting from Maharashtra, traditionally done by the Warli tribe. It primarily uses white pigment on a mud base to depict daily activities, such as farming, hunting, and dancing, in a minimalistic yet expressive manner.

Distinctive Features: Simple geometric shapes like circles, triangles, and squares, which represent different elements of nature and human life.

4. Tanjore Painting (Tamil Nadu)

Tanjore (or Thanjavur) paintings, originating from Tamil Nadu, are known for their rich colors, surface richness, compact composition, and use of gold foil. They often depict Hindu gods and goddesses, with a focus on Lord Krishna and other deities.

Distinctive Features: Use of vibrant colors, gold leaf, and inlay work with semi-precious stones on wooden boards.

5. Pichwai Painting (Rajasthan)

Pichwai paintings, hailing from Rajasthan, are intricate paintings that portray the life of Lord Krishna, especially in the Nathdwara temple. These paintings are traditionally done on cloth and used as wall hangings behind the deity in temples.

Distinctive Features: Detailed depiction of Lord Krishna’s life, use of bright colors, and the portrayal of various scenes from the Bhagavad Purana.

6. Phad Painting (Rajasthan)

Phad painting is a narrative scroll painting from Rajasthan, where the stories of folk deities like Pabuji and Devnarayan are depicted. The paintings are done on long pieces of cloth and are used in religious storytelling.

Distinctive Features: Bold lines, earthy colors, and the depiction of deities and their exploits.

7. Kalamkari (Andhra Pradesh)

Kalamkari, literally meaning ‘pen work,’ is an art form from Andhra Pradesh that involves hand-painting or block printing on fabric. The themes are largely mythological, with stories from the Ramayana and Mahabharata being common subjects.

Distinctive Features: Intricate handwork, natural dyes, and a distinctive color palette dominated by earthy tones.

8. Pithora Painting (Gujarat and Madhya Pradesh)

Pithora paintings, created by the Rathwa and Bhilala tribes of Gujarat and Madhya Pradesh, are done on the walls of their houses. These paintings are part of a ritual to invite the gods and ensure prosperity and happiness.

Distinctive Features: Vibrant colors, ritualistic significance, and the depiction of gods, animals, and scenes from daily life.

9. Chitrakathi Painting (Maharashtra)

Chitrakathi is a traditional art form from the Maharashtra-Karnataka border, where paintings are used as visual aids in storytelling. These paintings often accompany performances that narrate stories from epics like the Ramayana and Mahabharata.

Distinctive Features: Simple yet expressive figures, use of natural colors, and the narrative style.

10. Saura Art (Odisha)

Saura art is a form of mural painting by the Saura tribe of Odisha. It is similar to Warli art but has its unique elements, depicting the tribe’s daily activities, rituals, and deities.

Distinctive Features: Monochrome palette, linear style, and the depiction of nature and community life.

The diverse painting styles of India offer a glimpse into the country’s rich cultural heritage. Each state’s art form is a testament to the creativity and traditions that have been nurtured for centuries. By exploring these traditional paintings, we not only appreciate their beauty but also connect with the stories and values that have shaped India’s cultural landscape.

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The Microscopic Handbag Phenomenon: MSCHF’s Bold and Tiny Louis Vuitton Creation

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In the realm of fashion, innovation knows no bounds, and the boundary-pushing collective known as MSCHF constantly proves this point. Their latest creation, a microscopic handbag inspired by Louis Vuitton, has taken the industry by storm, captivating fashion enthusiasts around the globe. Breaking free from traditional size constraints and redefining functionality, this miniature accessory has ignited curiosity and sparked a sensation. Join us as we delve into the extraordinary world of MSCHF’s microscopic handbag, exploring its origins, unique features, and the remarkable buzz it has generated.

MSCHF, renowned for their unconventional and thought-provoking projects, partnered with luxury fashion house Louis Vuitton to unleash a game-changing collaboration. Together, they birthed a surprising twist on the classic handbag, pushing the boundaries of scale to an entirely new level. The microscopic handbag challenges the norm and introduces an audacious new concept.

Measuring a mere 1.5 inches in height, the microscopic handbag is a masterpiece of miniaturization. This whimsical accessory captures the essence of a traditional Louis Vuitton purse, complete with the iconic monogram pattern and signature leather trim. Despite its minuscule size, it exudes luxury and craftsmanship, embodying the brand’s prestige and aesthetic.

The MSCHF microscopic handbag represents a captivating fusion of fashion and art. It blurs the lines between these creative realms and prompts us to question our perception of material possessions. Through this micro-sized wonder, MSCHF challenges our understanding of fashion’s role in society and invites us to contemplate the value we attach to material goods.

Since its introduction, the microscopic handbag has caused a viral sensation across social media platforms. Its diminutive size and unexpected collaboration have captivated fashion enthusiasts and sparked intriguing discussions. This extraordinary creation serves as a catalyst for conversations about fashion trends, the power of satire in design, and the evolving landscape of the industry. Once again, MSCHF has successfully captured the attention of the fashion world, pushing boundaries and reshaping our perception of what is considered fashionable.

MSCHF has cemented its legacy as a disruptive force in the fashion and art realms. Their innovative and thought-provoking projects consistently challenge norms and captivate audiences. With the microscopic handbag, they have once again showcased their ability to generate intrigue, spark conversations, and inspire wonder within the industry.

In conclusion, the MSCHF microscopic handbag stands as a testament to bold creativity and audacity in the world of fashion. Its tiny size and unexpected collaboration with Louis Vuitton have shattered conventional handbag design and ignited curiosity on a global scale. This extraordinary creation not only exemplifies the artistry and innovation of MSCHF but also invites us to reflect on the ever-evolving nature of fashion and its profound impact on our collective imagination. As we eagerly anticipate MSCHF’s next groundbreaking venture, one thing is certain: they will continue to redefine the boundaries of what is possible in the world of fashion.

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