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Actor Babu Antony is about to make his debut as a director in Malayalam. The lanky actor reveals his views on films and more.

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At the outset actor Babu Antony made it clear. “I want my photograph to be looked different,” he said.  He doesn’t want to pose wearing a regular suit.  When he posed for photo shoot, I felt he was right. He cut quite a dash in his new avatar. “Different”- actually it was an underused actor’s inner voice and urge to do meaningful roles in cinema. All through the conversation, when he talked about good cinema and director Bharathan the nostalgia was palpable on his face.

Babu Antony can be included in the category of actors who have given innovative mannerisms to villain characters. I believe an actor should have a mind to adopt any character. The king in “Vyshali”, Sulthan in “Chanda” and Nandakumar in “Aparahnam” are all contrast roles. In Bharathettan’s movies I have done three different characters. With my entry there was a trend change for negative roles. “I portrayed villain characters in a silent and subtle way,” says Babu Antony.  “I was hesitant to do scenes like rape and molesting women. It was a trend then. Even after I have done all this, a few directors here don’t know what I am capable of. We have to be mentally open. Things are going to the extent of sidelining me. Everybody has a space here,” the actor opens up.

For him entertainment is all about variety. “By following trends, we move towards making monotonous movies. The challenge before an artist is to break the monotony,” he adds.

Cinema has a tradition. It has been evolved in relation with human psychology. There is a basic system and we have to follow it. A lot of masters have worked behind it. So it’s not child’s play. Cinema has a grammar, only the treatment is different. I believe in traditional film making. There is no new generation and old generation films,” explains Babu Antony. “I am not blaming anyone. How many good film institutes do we have to teach cinema here? So where do they go?” asks the soft-spoken actor.

Excerpts

Experience with different generations…

It’s a great learning while working with old generation directors. I had my debut in Bharathan’s film “Chilambu”. It was a different experience in Bharathettan’s school. Had he been alive today, he would have become a director with international appeal. There is lack of seriousness in cinema now. It is made for television. After getting satellite rights, films are made within that budget. The big screen affair has become small screen affair now.

 

You have a mass hero image and a villain image as well. Which role you would enjoy most?

It should be strong character. Villain is actually a supporting actor. Supporting actors are also important in films. Today’s cinema is hero-centric and it becomes like mono-act. When I was doing hero characters, all supporting actors also had equal importance. It’s a pyramid structure. You can see it in my successful films like “Chanda”, “Dada” and “Kadal” etc.

 

Do you think the film industry has exploited your talent as an actor?

‘Definitely not’. I was also part of parallel cinemas like “Sayanam” and “Aparahnam”. I had a good role in “Vyshali” and in “Yugapurushan” I portrayed the character of Ayyankali. Moreover, I have acted in five different languages.

 

What change did the award winning film “Aparahnam” (1991) bring in your career?

As an actor it was a milestone. The film and my performance were appreciated in international circuits. But I won’t run after awards. My performance in “Vyshali”, “Sayanam” and “Aparahnam” could have been considered for awards. There may be other reasons for not considering me for awards. Adoor Gopalakrishnan has said that “Aparahnam” is one of the best 10 films made in Malayalam.

 

Looking back, do you feel your selection of films has caused hiccup in your career?

Not really. I have selected almost good films. I was selective also. In my action films there won’t be any unnecessary violence or sex scenes. Those films were family entertainers. That’s why people and children alike ask me when I will be doing an action film.

 

How did you cope with the controversies in your movie career?

I am a straight forward human being. I won’t mind such things. It was scheming in the film industry by a few people. They exaggerated things. They have tried to attack me in different ways. But the people here know me very well. They are watching everything.

 

Tell us about your creative side…

I write poetry and stories. Basically I am a painter. But I had interest in photography too. So I planned to join in National Film Institute, Pune to study photography course.  But I couldn’t join for the course as I hadn’t studied science in Plus 2. During my visit to the institute in the evenings to watch film screenings, I got friends there, including director Rajkumar Hirani, Sriram and Mohan et al.

 

About your directorial venture?

The shoot will commence in August. It’s been my dream for 15 years. It’s a love story between a poet and a lady musician. The story revolves around three generations. I will be doing the poet’s role.

 

About your fitness regime…

Two-hours workout everyday and strict diet. No bingeing.

 

Your definition of ‘love’…

Sacrifice. When you find the person you love and if your love is not reciprocated, don’t force them and follow them. Move away…

 

About future projects…

New film “Buddy”is getting ready for release.  “Idukki Gold” by Ashiq Abu and a Tamil film produced by Dhanush are other films.

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Netflix’s Cleopatra: A Controversial Provocation Egypt Could Do Without

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In the realm of streaming content, Netflix’s Cleopatra has recently grabbed attention, trending on most-watched charts amidst a contrived controversy over the casting of a Black actress in the iconic titular role. Produced by Jada Pinkett-Smith, this installment is the second in her ‘African Queens’ series, which has stirred debates surrounding representation and historical accuracy. However, the current state of Egypt, grappling with numerous challenges, suggests that this provocative series is the last thing the nation needs.

The portrayal of Cleopatra has always been intertwined with fascination and debate, particularly centered around her appearance rather than her race, in historical accounts. The Hollywood industry, historically dominated by white executives, had marginalized Black talent, deeming them unmarketable and unworthy of significant roles. The industry’s limited embrace of Black stories in the past was primarily driven by profit rather than genuine progressivism.

In the case of Netflix’s Queen Cleopatra, the casting of a Black performer in the lead role was destined to ignite controversy, especially among Egyptians increasingly hostile towards Afrocentrism. However, the preceding installment of the ‘African Queens’ series, Njinga, did not generate significant interest or impact, lacking the depth to stimulate intellectual discourse.

Director Tina Gharavi’s previous works, while sincere in their storytelling, did not display visionary filmmaking challenging the conventional Anglophone documentary style. Despite this, Netflix and Pinkett-Smith effectively employed marketing tactics, leveraging the race card to generate buzz around Cleopatra, ultimately leading to its elevated position in the charts.

Disappointingly, Queen Cleopatra fails to offer any fresh insights into the Egyptian icon. The four episodes follow a predictable and formulaic narrative structure, focusing on Cleopatra’s rise and fall without delving into her race. The series, featuring medium close-up interviews with academics predominantly from American and British institutions, coupled with lackluster dramatizations, fails to engage viewers or provide an aesthetically distinct perspective.

The show’s emphasis on Cleopatra’s physical beauty and sensationalized elements aligns with Netflix’s faux-liberal gender and sexual politics, which are often presented simplistically and lacking depth. While the representation of minority groups in film and TV is an important concern, solely focusing on representation can overshadow other vital aspects, such as artistry, film history, and the political use of aesthetics.

Critics and viewers fixated on the racial depiction of Cleopatra, generating substantial media coverage and overlooking the artistic value and storytelling approaches employed in the series. Amidst the heightened racial discourse, the nuances of Egypt’s complex relationship with blackness have been lost. Egypt’s struggle with economic crises, political challenges, and external influences leaves the nation feeling helpless and disheartened.

In its current state of turmoil, Egypt seeks a savior and is grappling with collective defeat, making the Netflix provocation an unwelcome addition. The nation, deprived of agency and self-determination, holds onto its historical heritage, which has been plundered by the West for centuries. In such circumstances, a reframing of their own history, even in the form of a fictional series, elicits a strong reaction from a nation grappling with numerous challenges.

Ultimately, while the casting controversy surrounding Netflix’s Cleopatra has sparked discussions on representation and historical accuracy, Egypt’s broken state and desperate need for stability and self-determination make this provocative series an unnecessary and untimely distraction.

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Unleashing the Power: Scorpio Lunar Eclipse on May 5th Signals Major Transformation Ahead

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The cosmos are gearing up for a powerful event: the May 5th lunar eclipse in Scorpio. This celestial spectacle promises to be a transformative experience that will shake us to the core. As the full moon aligns with the sun and the Earth casts its shadow, Scorpio’s dark and intense energy will be unleashed, inviting us to confront our deepest fears and desires.

 

Scorpio, known for its enigmatic nature and passionate intensity, is the zodiac’s most enigmatic and mysterious sign. It’s associated with death, rebirth, and transformation, making this lunar eclipse an auspicious time for letting go of old patterns and embracing a new, more authentic way of being. The Scorpio energy is all about digging deep into the shadows, exploring our subconscious minds, and facing the truth no matter how uncomfortable it may be.

During this lunar eclipse, we can expect intense emotions to surface, bringing to light buried feelings and hidden desires. Scorpio’s energy is not one to shy away from the taboo or the uncomfortable, and neither should we. It’s time to confront the parts of ourselves that we’ve been keeping hidden, and to embrace our true selves.

 

As we navigate this intense energy, it’s important to remember to practice self-care and self-love. Scorpio’s energy can be overwhelming, so be sure to take breaks and ground yourself when needed. The lunar eclipse is an opportunity for growth and transformation, but it’s up to us to take the necessary steps to harness this energy and make the most of this powerful celestial event.

 

In conclusion, the May 5th lunar eclipse in Scorpio is a powerful and transformative event that promises to shake us to our core. It’s an opportunity to face our fears, embrace our desires, and transform ourselves from the inside out. So, get ready to unleash your inner Scorpio and embrace the intensity of this celestial event.

 

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8 Best Podcasts of 2020

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To the people who doesn’t know what a podcast is- it’s pretty much like a radio show and is released in a streamable or downloadable format through various sites. You can access to millions of podcasts in many genres from anywhere you have internet access.

Here’s a list of podcasts for you to listen:

The Musafir Stories – India Travel Podcast

The Musafir Stories is a wonderful online podcast that talks about iconic and, in fact, all sorts of travel destinations. The podcast series is hosted by Saif Omar and Faiza Khan who talk to fellow travellers about their various adventures across India.
Available on iTunes, Google podcasts, JioSaavn, and Spotify.

https://themusafirstories.com/

Second Life


This online podcast is hosted by Hillary Kerr from the well-known fashion publication Who What Where and it chronicles the career changes of its many guests. It spotlights successful women who’ve made major career changes.

You can listen to her episodes on Apple podcast, Spotify, and Podbean.

https://www.secondlifepod.com/

In The Dark


In The Dark’s content is about uncovering the world’s most iconic crime cases. In short, it’s an investigative journalism podcast, hosted and narrated by Madeleine Baran.

You can listen to it on Apple Podcast, Stitcher, and Podbean.

https://www.stitcher.com/podcast/american-public-media/in-the-dark-apm

The Passion People Podcast


The Passion People Podcast is a series of conversations about following a passion and how to manifest it. There are several conversations with experts, entrepreneurs, and icons that inspire the listeners, and the show is hosted by Naga Subramanya.

You can find the podcast on Stitcher, Apple Podcast, and JioSaavn.

https://www.stitcher.com/podcast/naga-subramanya-b-b/the-passion-people-podcast

GayBCD


GayBCD is an online podcast that seeks to understand what it means to be queer in today’s time. It’s hosted by Sunetro Lahiri and Farhad Karkaria and is created by IVM Podcasts. You can expect to find funny and comforting discussions about coming out and how a sense of humour, wisdom, and parlance play such an important role in understanding yourself better as a person.

This podcast series is easily available on YouTube, Stitcher, JioSaavn, and Apple Podcast.

https://www.stitcher.com/podcast/indus-vox/gaybcd

Harry Potter at Home


Harry Potter At Home is a new series by the Wizarding World that has famous names from entertainment, music, and sports reading chapters from Harry Potter And The Philosopher’s Stone, and the magic is still alive. They currently have the first two chapters out – the first by Daniel Radcliffe and the second by Noma Dumezweni.

You can listen to the series on Spotify and a video version is available on Wizarding World.

https://open.spotify.com/show/2JUljwaD9fNSeq8Vy3UAUp

Maed in India


Maed in India prides itself on being India’s first indie music podcast and features conversations with, well, independent musicians from India and abroad. From unreleased music to unknown music stories, they have it all. It’s great for discovering new music, too.

You can listen to this podcast on iTunes, Spotify, JioSaavn, Podbean, Google Podcasts, and Stitcher.

https://maedinindia.fanlink.to/podcast

The Corner Flag


Indian fans of the European and Worldwide football can rejoice in this chat show about sports with comedian Amogh Ranadive. If you like hearing commentary on the latest Premiere league (or other) antics with an Indian twist this might just be the Indian chat show for you.

You can listen to this podcast on Spotify

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