Features

Are we too conservative

Published

14 years ago

October 10, 2011

Monumental IT parks , gargantuan structures of development, an unbridled exhibits of the various autographs of glitz. Grisly murders, inconceivable rapes, out of the world scams, a thriving militia of moral-protectors.

When the floodgates of Indian economy opened in the last decade of the milinuem gone by, few would have imagined the society that would be brought forth 20 years later. From a facilitator of attainable realities, money in itself became the dream to be chased; a pursuit that would eventually rewrite India. A new class emerged whose brand ambassadors made more money in the first few months of their first job than what their parents retired with. Kerala always had an educated middle class, a product of various social and political reforms, groomed by a long tradition of quality primary education system facilitated by various minority institutions and pragmatic higher educational options and decisions. Like their parents who reaped the benefits of the Nehuruvian economic model by working outside the state namely, Bombay and the Gulf. Or so one was made to believe by the countless narratives, which made-in-Madras Malayalam cinemas .of that period offered. The buzz word for the post liberalisation professional became American on-site jobs or migrations to the Silicon Valley. The restless 70’s saw their progeny become part of the global community created by the demand for cheap white collar workers and the supply of skilled and eager work force. The disparity of pay structured by the proverbial carrot of future prosperity created a naive society taking its first tottering steps towards global adulthood.

The most prominent signature of economic liberalisation policies in Kerala is Technopark, founded in 1995 and is still the largest IT sector job provider in the state. Its long term implications, though, go far beyond its mere job generating potential. A new culture, facilitated by infrastructural developments and aligned lifestyle changes, was introduced into the society. Yet the oldest IT Park in India remains the lowest income earner among all the IT Parks that came up later in India.

Instant Money Magic

According to Kodiyeri Balakrishnan, the former Home Minister of Kerala, more than Rs 10,000 crore of hawala money is transacted in the state. The assets of various Mafia groups in Kerala were estimated at, by DGP Jacob Punnoose, to be around Rs 50,000 crore. Kochi hosts capital to two of the major mafias among them— the land mafia and the money mafia. The mafia seeks to exploit greed. That there is no limit to the money you can accumulate, provided you have your money-thinking brain cells oriented in the proper direction was firmly established as a possibility by the mid 90s—though yet to be a rampant practice in the real world, its theoretical prospects, beyond doubt, were well entrenched. That was also the period when scams of hitherto unheard magnitude (though the figures now look like molehills compared to the mountainous amounts of graft money in the modern world) had rocked the nation—Hawala and the Harshad Mehta stock exchange scams being the show stealers. For a nation, which had yet to come to terms with the rules of the game controlling the newly liberalised market system, these scams shattered the bedrock of Nehruvian middle class economic system piled carefully on the dictum of “lot of hard work, and a little bit of corruption.”- By the dawn of the new millennium, gone were the days when people set the limits of the money they could amass in terms of the work they did. In this new world order, it was not a difficult task for the mafia groups to establish a parallel government, run it with the money power they possessed and the might they gained by acting as a pressure group on the government of the ‘real’ world, and protect its subjects. Two of the major networks through which the money mafia operates are small scale financing and direct marketing. Several money chain groups, some of them big fishes operating even on a national scale, are active in Kochi. Its running theme is very simple and strikingly sinister: to turn an individual’s network of relations with other individuals of the society into currency; a remarkably powerful exhibition of modern day ways of alchemy. Devi, a middle aged housewife in Kakkanadu, Kochi, who lost a substantial amount of money in one such scheme, says: “The initial catch is the small amount of money they offer you when you induct your first recruitment in the network. The precise and rationally flawless ways in which they present the arithmetic of the money that can possibly be yours, and the presentations of real-life success stories—of those who bought cars and even flats are the knockout punches which then settle the deal.” Once such networks are formed, whose members are then linked by a primal craving to make more, more and more money, there automatically open up a multitude of passageways to darker worlds of criminal indulgences. As Devi says, “Once you are sucked in, you will be swallowed.” It only gets more tragic. Radhika, another housewife at Fort Kochi, who reportedly lost a huge amount of money in one money chain network, and subsequently committed suicide, was initially portrayed as a victim of domestic violence. But within a week of investigation the claim was found to be untrue.

Dr. Sr. Teresa CSST
Principal, St. Teresas College
Our college started when women has no freedom, as a motto of women empowerment. We are continuing with single sex education only because we started with a cause and we are still carrying it forward. Not because women are safe in women only college. They seems to be facing bigger threats in their homes rather they are free here they gets lot of opportunities here.
I don’t think that students will get matured only by co-education. Mingling with opposite sex is not a necessity, education is not merely mingling it is something more that. Here students get a lot of opportunities to develop their talents. In a mixed college a girl might not come forward in a similar situation. We are polishing students. We are giving them preparation for them to adjust to any situations in future and life coping skills along with the education.
I don’t agree with women’s only professional colleges because professional education needs lot of give and take and sharing, it will only come through the interaction of both sexes.

AjithKumar , D.I.G and Commissioner of Police Cochin City
The so called rise of crime rates is also because of the rise in reporting of crime. This is possible in Kerala because people have easy access to police stations, and there almost never a hesitancy to file a complaint. There is still a lot of faith in completion of investigation and catching the criminal.

The Kerala Psyche

The nature of moral policing in Kerala is also different from rest of India. Moral impositions arise in most cases not from right wing organizations rather it cut across party lines. The psyche of these impositions resides in gender relation crisis that Kerala is undergoing. There seems to a sexual repression among the Malayalee males. What else can account for the rising crime against women and children in the state? Rape and murder of commuters or moral policing of women travelling at night, under age prostitution, and rampant child abuse are becoming regular breaking news. The new helpline for child abuse victims run by Sarva Shiksha Abhiyan were literally flooded with calls when they started in August. A reaction which the authorities never expected, the Mahila Shikshan Kendras meant to house the children is over crowed.

There is constant segregation of gender in our educational institutes. New professional colleges are coming up which advertise their single gender system as desirable. Even colleges that have co-education are promoting segregation within their campuses. Most colleges in the state have banned tight T-shirts and jeans, stopped film dance from schools and unofficially monitor students of the opposite gender who talk to each other for uncommonly long time. These unimaginative changes in the educational sector become contradictory when these students both professional and non-professional, start careers in a 24/7 work culture. A systemic change rather than such cosmetic restrictions is necessary to mould the coming generations in a positive manner.

Thasni Banu, I.T Professional and Moral Police victim
When we were trying to leave the auto driver verbally abused me. I too reacted strongly. He slapped me hard on my face. He then twisted my right arm backwards. By then, people had started gathering and the driver presented us before them as some sort of ‘wrong-doers’.

Rekha.C.Babu, CEO BCG Group
“I have always delegated my work and ensured that I’m never in a compromising position because of my gender. In the initial days my employees were hesitant to say that it was my sister and I who owns the business. Instead they would say our father; Mr. Babu C. George owns the business. I have travelled across the world and the only place I was detained for travelling alone was in Thiruvananthapuram airport and that too in the name of ensuring security of women. It is in the nature of malayalees to find out what others are doing. Why does society pry into the business of an individual?”

Cover Story

THE QUIET FORCE OF A MODERN ICON

Published

4 hours ago

May 13, 2025

Anandhu Reji

Behind every poised performance is a quiet, unshakable resolve—a journey of an artist who shows that true strength lies not in loud declarations, but in unwavering integrity and purpose.

There’s something about shoot days that hum with their own energy—where art direction instinct, and moments unfold faster than they can be captured. The FWD Magazine cover shoot with Madonna Sebastian was no exception. From the moment the segment began, it was a visual symphony—natural light, candid motion, curated chaos—all anchored by her easy presence.

Madonna Sebastian for FWD Life magazine photoshoot

By the time the cameras wrapped on the sunlit exteriors, Madonna returned indoors, slipping into a pristine white outfit that seemed to echo her state of mind: calm, clear, and open. The crew took a breather, the lenses cooled, but she remained in rhythm—poised yet unhurried.

It was then, in this in-between window—after the high-energy shoot, before the final touch-ups resumed—that she settled down for an unscripted chat with RJ Asha. No stage, no formal setup—just an airy corner of the space, a couple of chairs, and a warm conversation waiting to happen.

And that’s exactly what did. A moment carved out not for press quotes, but for perspective. For a glimpse into the artist behind the actress. The grounded soul behind the gaze the camera loves

You know Madonna. Or at least, you think you do.

Madonna Sebastian for FWD Life magazine photoshoot

She’s the chirpy Celine from Premam, the graceful Anjali from Kavan, the quiet storm in Kadhalum Kadanthu Pogum. But sitting across from her now, you start t0o sense something else. This is a woman who refuses to be boxed in by the roles she’s played, or the fame she’s earned. She isn’t just riding the wave of stardom—she’s surfing it, steering it, sometimes even swimming against it.

“I’ve never really chased this,” she says, “I just wanted to do good work. Whether it was singing, acting, even being on stage—if it didn’t feel honest, I’d walk away.”

That honesty has become her compass. It’s also what’s made her unpredictable in the best way. In an industry obsessed with hypervisibility and curated glam, Madonna’s detours feel radical. A music video here. A break to focus on home, or a spontaneous trip with friends there. No apologies. No PR spin. Just life.But make no mistake: there’s steel under the softness.

“I think people assume that if you’re polite or soft-spoken, you’re passive. That’s not true,” she says, eyes locking in. “I’ve said no more times than I’ve said yes in this industry. Not because I’m arrogant—but because I have clarity.”

That clarity has shaped her choices—from her refreshing screen presence to her deeply personal music. Her band’s indie singles drop like secret letters, far from the formulaic world of playback hits. Her voice, husky and haunting, doesn’t scream for attention. It holds it.

So how does she choose her projects?

Sometimes, it’s a script. Sometimes, it’s a song I’m writing at 2 a.m. under fairy lights. Sometimes it’s a film that pushes me out of my comfort zone, like Leo.”

Ah yes, Leo. The recent mega-hit that reminded audiences just how effortlessly she can hold her ground .

Madonna Sebastian for FWD Life magazine photoshoot

But ask her about the high of being in such a blockbuster, and she smiles without a trace of self-congratulation.

“It was a new space for me,” she admits. “Big canvas, big stakes. But what mattered most was working with people who respected the craft. I’m not into the noise around it. I liked the discipline of it.”

She’s not performing cool—she just is. In a world chasing trends, Madonna moves to her own rhythm.

Even her style says it all: breezy kurtas, vintage florals, bold red lips. Effortless. Unbothered.

When I ask about her five-year plan, she grins.

“I plan for joy. I plan for peace. I plan for purpose.”

That could mean a film—or a forest with no signal. She’s fine either way.

Madonna doesn’t demand attention. She owns it—with quiet power. And she’ll keep showing up, disappearing, and returning—on her terms.

Just like her art.

Madonna Sebastian for FWD Life magazine photoshoot

There’s a kind of presence that doesn’t chase attention—but effortlessly holds it. A quiet confidence that doesn’t need to speak loudly to be heard. In every gesture, every glance, there’s ease. Style, too, follows suit—never trying too hard, yet never fading into the background. A mix of breezy staples, soft silhouettes, vintage moods, and the occasional splash of edge—it all feels lived-in, not styled. Real.

Back inside, lights shift and lenses focus again. Another look, another frame—but nothing feels rehearsed. Just a rhythm she owns, unbothered by the pace around her. Some people leave impressions with spectacle. Others, with silence and substance.

This isn’t about trends or timelines. It’s about being grounded. It’s about rhythm over rush. And it’s a reminder that sometimes, the most magnetic thing in the room is the one not trying to be.

Main Story

InstaGlam : Best of Instagram from Nikhila Vimal

Published

8 months ago

September 30, 2024

Reshma Vivekanandan

Nikhila Vimal is a rising star in the South Indian film industry, celebrated not only for her acting prowess but also for her effortless sense of style. With her charming on-screen presence and witty interviews, she has won the hearts of many. Off-screen, Nikhila’s fashion choices are a perfect blend of simplicity and sophistication, often showcasing her love for Indian wear. Her Instagram is filled with vibrant, traditional looks that exude elegance, proving that she can pull off anything from a classic saree to chic, modern outfits with ease. Whether it’s her poised demeanor in interviews or her playful personality, Nikhila brings an undeniable grace to everything she does, making her a true fashion icon. Lets check her best looks from instagram.

Nikhila Vimal looks absolutely stunning in a gorgeous kurti set by K Pret by KALAAKAAR, styled impeccably by Smiji. The ensemble perfectly blends elegance and tradition, with a modern twist. What truly elevates the look is her long, beautifully braided hairstyle, crafted by Femy Antony, adding a touch of classic charm. To complete the ensemble, Nikhila accessories with a striking pair of long, heavy earrings from Keyaa, which adds just the right amount of glam to her vibrant and sophisticated Indian style. This look perfectly captures her essence bold, graceful, and effortlessly chic

Nikhila Vimal radiates timeless elegance in a stunning Mau cotton revival saree by S O U R A V D A S. This exquisite piece pays homage to traditional craftsmanship, featuring the signature 3 cm ‘chataai’ border with an intricate pattern of gold diamonds along the margins, framed by delicate rows of gold triangles and fine parallel cotton stripes. The saree’s cross-border elegantly leads to a Pallav adorned with two striking Star Konias, while the field is beautifully detailed with gold zari checks over a rich indigo backdrop. Styled by Arjun Vasudev, Nikhila’s look is further elevated by chic jewellery from Tanishq, perfectly complementing the saree’s opulence with a refined touch.

Nikhila Vimal exudes style and sophistication in a stunning black kurthi adorned with intricate embroidery work by Kalaakaari. The delicate detailing on the kurthi adds a touch of elegance, making it a standout piece. This chic look has been perfectly styled and coordinated by Pushpa Mathew, ensuring a seamless blend of traditional artistry with modern flair. The flawless makeup by Swapna Shaheen MUA from Dubai completes the ensemble, enhancing Nikhila’s natural beauty and bringing the entire look together with grace and poise.

While Nikhila’s glamorous side is truly breathtaking, her casual looks are equally captivating. She effortlessly pulls off a chic vibe in an off-white dress by Buna, keeping it understated yet elegant. The look is complemented with simple earrings, adding just the right touch of subtle sophistication. Her natural makeup, done by Femy Antony, enhances her features without overpowering her minimalist style. Styled by Smiji, the entire look embodies Nikhila’s ability to blend casual comfort with a refined, polished appearance.

Nikhila Vimal looks absolutely gorgeous in a peach salwar set by ZULEIHA, exuding an ethereal charm in this ethnic ensemble. Styled by Smiji, the look is a perfect blend of tradition and elegance. The outfit is beautifully accessorized with statement pieces from Keyaa, adding a touch of sophistication. With makeup by Femy Antony, Nikhila’s radiant glow and flawless finish complete this stunning look, making her a true style icon.

Nikhila Vimal shines radiantly in the exquisite Onam collection by Milan Designs, showcasing her love for traditional attire. Styled by Smiji, the ensemble perfectly captures the essence of the festival, blending elegance with cultural heritage. Complementing her look, she wears beautiful jewellery by Dhwani Bansal, adding a touch of glamour and sophistication. The flawless makeup, done by Femy Antony, enhances her natural beauty, making Nikhila the epitome of grace and style during the celebrations.

Cover Story

Starlit Wedding – Diya Krishna

Published

8 months ago

September 18, 2024

Reshma Vivekanandan

Actor Krishna Kumar’s daughter, Diya Krishna, a popular social media influencer, recently married Ashwin Ganesan, a software engineer, after a long-term relationship. The couple celebrated their special day with a beautiful ceremony at a luxurious hotel in Thiruvananthapuram. Diya’s family, including her siblings Ahaana, Ishani, and Hansika, along with her parents Sindhu Krishna and Krishna Kumar, looked radiant in coordinated light pink ensembles. The wedding was an intimate gathering, attended by close family and friends. Here are all the details of their magical day.

Haldi

For the Haldi ceremony, Diya and Ashwin were spotted in coordinated white outfits by Santini. The look was beautifully elevated with a pop of color from Diya’s pink dupatta and stunning floral jewellery by Florita Florals, adding a fresh, vibrant touch to the celebration.

Diya’s Outfit : Santinni

Aswin’s Outfit : Santinni

MakeUp : Amala Brahmanandan

Jewellery : Florita Floral

Event Planner : Grand Oyster

Photography : Abhijith SK

Location : Taj Green Cove Resort & Spa

Mehendi

Diya looked effortlessly chic in a vibrant multi-colored skirt set by Mahek Designs for the Mehendi celebration. Ashwin complemented her perfectly with a multi-hued jacket by Santini, completing their joyful and lively Mehendi look.

Diya’s Outfit : MAHEK DESIGNS

Aswin’s Outfit : Santinni

Mehandi : MISHMA KAMAL

Event Planner : Grand Oyster

Photography : Abhijith SK

Sangeeth

Diya and Ashwin absolutely rocked their Sangeet in stunning black outfits by Santini, exuding elegance and style as they celebrated the night in perfect sync!

Diya’s Outfit : Santinni

Aswin’s Outfit : Santinni

Jewellery : Atelier by Regal Jewellers

MakeUp : Laxmi Venugopal

Event Planner : Grand Oyster, Decor Lab Events

DJ : TONIQ SQUAD

Photography : Abhijith SK

Wedding

For the wedding, Diya truly dazzled in a polished pastel-themed saree designed by the talented M Loft by Joel. Styled in a manner reminiscent of Bollywood star Alia Bhatt’s iconic fashion sense, the saree was a vision of beauty, adorned with elegant detailing, intricate embroidery, and flowing glamour, imparting a regal charm to her bridal look.

Diya’s Outfit : M LOFT

Aswin’s Outfit : M LOFT

Jewellery : Atelier by Regal Jewellers, Regal Jewellers

MakeUp : Laxmi Venugopal

Draping : Aamee Hafsa Nazar

Event Planner : Grand Oyster, Decor Lab Events

Garlands : Black Gold Flowers

Photography : Abhijith SK

Wedding Second Look

For her second wedding look, Diya embraced a simple yet elegant white Kerala traditional set mundu, perfectly complemented by traditional jewelry from Bhima. Ashwin matched the aesthetic, dressed in a silk shirt and mundu by M Loft, creating a timeless and graceful duo.

Aswin’s Outfit : M LOFT

Jewellery : Bhima

MakeUp : Laxmi Venugopal

Draping : Aamee Hafsa Nazar

Event Planner : Grand Oyster, Decor Lab Events

Photography : Abhijith SK

Reception

At the Delhi reception, Diya stunned in a maroon saree, perfectly capturing the elegance of a newlywed. The North Indian-style chooda added a beautiful touch to her look. Ashwin complemented her effortlessly, looking sharp in a sleek black suit by Santinni.